Author Topic: Karina in Whitechapel - Astonishingly-titted Romanian archetype (TOFTT)  (Read 3602 times)


1 review(s) for this service provider (AdultWork - 5086269) (0 positive, 1 neutral, 0 negative) [Indexed by backofthenet]

Offline backofthenet

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Paid £100 for an hour and £20 for owo

Immediately mentally assigned her a neutral rating on the spot because of the fact that she advertises OWO as thrown in to an hour long booking but it wasn't - and she wanted another £20 for kissing which I didn't have.

Also, when I met her I was pretty sure it was a bait and switch, but now I'm almost sure it is the girl in the pictures, however, they were taken a few years and a few pounds ago. When she disrobed I saw a few belly rolls and a bit of wobble on the thighs. Normally such unrepresentative pictures would guarantee a negative rating. But read on, my dear reader, read on.

BECAUSE- this additional load has done a couple of things. It has given her a breathtaking arse, which I couldn't keep my hands off. It has also given her THE MOST AMAZING TITS I think I have ever seen. Honestly, they were just perfect - like two enormous juicy meat-pears. I spent much of the first part of the punt just nuzzling at them like a hungry newborn while she wanked me off.

In truth, physically she bears no resemblance to the girl in the pictures even if it is her - imagine that Leslie Ash had had a more successful lip implants, and they were done while she was still in her 20s and attractive, take off a few inches in height, add a perfectly sculpted arse and tits and you've got her. Sun lounger bronzed-skin, neat and clean little pussy.

Personality wise she was fairly gregarious, and an enthusiastic shag when we got down to it. All just really let down by the following Romanianisms:

1) No kissing and no COB. Two things that I insist on. Ended up bashing off onto some furled tissues at the end which was an anti-climactic climax. The lack of kissing always affects my performance as well - I think when it's taken away my disbelief is unsuspended and it feels transactional so the little guy loses interest. Kissing helps sustain both my boner and the fourth wall. An 'ebrechtion' if you will. Be impressed if anyone gets that.

2) Noisy flat in a scuzzy main road in whitechapel - her colleague (may have been External Link/Members Only but she had dark hair) had a booking at the same time and I heard her chatting to her client outside the bathroom. She also came into the room to borrow a charger just as I was lying there with my dick in the air (but I actually quite liked that)

3) lashings of lube, wouldn't let me use my super thin condoms and insisted on her own - asked me "not to touch" the condom when she'd applied it which was an odd instruction.

But apart from that, sex in three positions was good - particularly with her on top and me doing all the work. Felt strangely tender, and she spent much of the punt sounding like she was on the brink of an orgasm, particularly during RO and 69 (both of which she seemed to enjoy). OWO was good too.

So there it is, really should be a negative for all those reasons but if you are prepared to go up to £140 for an hour with kissing and OWO then there is a lot to recommend her.

Honestly, those bangers.

Offline bedhedred


An 'ebrechtion' if you will. Be impressed if anyone gets that.

Your wood doesn't like "breaking the fourth wall"; making it clear that what's going on is an act of fiction. The best SPs are also good actresses. I find I need the illusion which is maintained by a decent snog.

She was a Brechtian shag.
« Last Edit: January 15, 2020, 09:00:13 pm by bedhedred »

Offline backofthenet

Your wood doesn't like "breaking the fourth wall"; making it clear that what's going on is an act of fiction. The best SPs are also good actresses. I find I need the illusion which is maintained by a decent snog.

She was a Brechtian shag.

we are kindred spirits, you and I, my anonymous internet-based correspondent.

Offline bedhedred

Looks like we are. I checked some of your more recent reviews. I've done Lovely Emily plenty and Shy Tiff twice. I even wonder if I've met the girl in this review once many moons ago.

I admire your mastery of the outcall. I was at home today and I bumped into some friendly neighbours twice! I was thinking afterwards "lucky I didn't decide to invite a girl round because I had the house to myself".

Offline peter purves

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Nicely written review.

Although it did not happen £140 for a punt in Whitechapel is very expensive almost West End rates
Banned reason: Can't / won't take advice.
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Offline Diggler fights back!

Amusing review for sure. I was feeling your flow as it is well written. I have this bint on my HL, but this pushes her further down the priorities list. She’s a pain in the arse to get to for me and now you’ve thrown in she charges extra for OWO and kissing. Possibly not meant to be for me and if it is there will be some negotiating that is at least attempted on my part. Thanks for a good review.

Offline winkywanky

Does Bertolt Brecht have a place in punting reviews?

Discuss.






FFS... :rolleyes:  :D

Offline tantraman

Got me attention :music: ...

... THE MOST AMAZING TITS I think I have ever seen ...

But if I may confirm, OP, you think this is an old photo of the WG ...

Hidden Image/Members Only

... who now has put on weight to develop the aforementioned bangers?

Offline sparkus

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Does Bertolt Brecht have a place in punting reviews?

FFS... :rolleyes:  :D

If they tot up to 3p, yeah.

I don't mind the sight of threepenny bits, mind you  :sarcastic:

Offline sparkus

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... who now has put on weight to develop the aforementioned bangers?

If I had a quid for every quid I've wasted after reading on here
Quote
OH MY WORD, SHE HAD HUGE TITS

 :dash:
« Last Edit: January 15, 2020, 11:34:59 pm by sparkus »

Offline backofthenet

Does Bertolt Brecht have a place in punting reviews?

Discuss.


Be delighted to.

Let's firstly look at the role of prostitution in Brecht's plays. The figure of the prostitute features largely in the theatre of Bertolt Brecht, with the characters of Jenny the Pirate, in The Threepenny Opera (1928), Shen Té, in The Good Person Of Szechwan (1940), and the choir of prostitutes of Rise and Fall of the City of Mahogany (1930). The figure allows Brecht, as always, to play with clichés, those of the prostitute as a victim or as a beguiling figure of temptation.

Like thugs and other characters on the fringes, such characters reveal to "normal" society the mirror of its own corruption, with all the ambiguity of which Brecht is capable, without him ever imposing on them a more deprecating moral judgement than on the other characters: the prostitute serves as a revealer, she is at the heart of the sex and money trafficking that rules the world.

In the The Threepenny Opera, still imbued with expressionism and the atmosphere of Berlin in the 1920s, Jenny the Pirate, out of jealousy (rather than a sense of propriety), denounces Mack the Knife to the police. In The Good Person Of Szechwan, Brecht has fun with the image of a prostitute with a big heart, making Shen Té the only character in her play capable of generosity.

With this ambivalence towards prostitution, allowing these characters to represent defiance and non-conformism, as well, in the most immediate sense, temptation and danger, I would argue that Brecht has a renewed modern relevance and, as such, a place in punting reviews.

Thanks for your time.

Offline backofthenet

Got me attention :music: ...

But if I may confirm, OP, you think this is an old photo of the WG ...

Hidden Image/Members Only

... who now has put on weight to develop the aforementioned bangers?

Yeah, I'm sort of 90% sure it's the same girl, but as I say, she bears no resemblance to that picture to the extent of making it irrelevant.

Offline Diggler fights back!

Yeah, I'm sort of 90% sure it's the same girl, but as I say, she bears no resemblance to that picture to the extent of making it irrelevant.

Is it possible you might have seen this girl?

Hidden Image/Members Only

Hidden Image/Members Only

Offline backofthenet


Offline bedhedred

Got me attention :music: ...

But if I may confirm, OP, you think this is an old photo of the WG ...

Hidden Image/Members Only

... who now has put on weight to develop the aforementioned bangers?

This is the girl I saw a long time ago and I assume it is the same as the girl being reviewed here.

I saw her in a flat on the same small street as a well known Polish run establishment which no longer operates.

From distant memory I remember Karina was fairly awkward as an SP. It would have been a £60/30 minute meet. Definitely no kissing; didn't get owo. I think she did some kind of position restriction during sex, and she wouldn't let me all the way in. In the end I came through wanking which is far from ideal.

She was good looking as the photo shows, just a pity she was not interested in showing me a great time. As always, there's repeat business for those who deserve it.

Offline winkywanky

Be delighted to.

Let's firstly look at the role of prostitution in Brecht's plays. The figure of the prostitute features largely in the theatre of Bertolt Brecht, with the characters of Jenny the Pirate, in The Threepenny Opera (1928), Shen Té, in The Good Person Of Szechwan (1940), and the choir of prostitutes of Rise and Fall of the City of Mahogany (1930). The figure allows Brecht, as always, to play with clichés, those of the prostitute as a victim or as a beguiling figure of temptation.

Like thugs and other characters on the fringes, such characters reveal to "normal" society the mirror of its own corruption, with all the ambiguity of which Brecht is capable, without him ever imposing on them a more deprecating moral judgement than on the other characters: the prostitute serves as a revealer, she is at the heart of the sex and money trafficking that rules the world.

In the The Threepenny Opera, still imbued with expressionism and the atmosphere of Berlin in the 1920s, Jenny the Pirate, out of jealousy (rather than a sense of propriety), denounces Mack the Knife to the police. In The Good Person Of Szechwan, Brecht has fun with the image of a prostitute with a big heart, making Shen Té the only character in her play capable of generosity.

With this ambivalence towards prostitution, allowing these characters to represent defiance and non-conformism, as well, in the most immediate sense, temptation and danger, I would argue that Brecht has a renewed modern relevance and, as such, a place in punting reviews.

Thanks for your time.


And thanks for your effort  :hi:

Olden days, modern times, the context is pretty well always the same.

Alongside Kurt Weill, as a fan of Ute Lemper (saw her perform many years ago when she first hit the scene) I appreciate that  :drinks:.

Offline HERTSBLUE


Offline sparkus

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Had a boob  job then

Can OP perhaps detail, as floridly as is his wont, what was so "astonishing" about these resplendent breasts?

Offline backofthenet


Offline backofthenet

Can OP perhaps detail, as floridly as is his wont, what was so "astonishing" about these resplendent breasts?

be delighted to.

They were fucking pearlers. Absolutely gob-smacking.

Hope that's suitably illuminating.

Offline Moosehunter

She never seems to display her number. How can I book her?